Recall those years when partying hard was the only agenda on your list. Recall those years when staying awake at nights, chatting away with friends became a habit. Recall those years when bunking college and sneaking into movie halls was more exciting than books. Recall those years when you were completely clueless and aimless about the vocation you wanted to pursue once you graduated… That indecisive phase when you were hesitant to take that first big step in life can never be erased from your memory.
Wake Up Sid, directed by debutante Ayan Mukerji, is like revisiting those years that lay at some remote corner of your mind, after you moved on in life.
Actually, Wake Up Sid is a slice of life film. It’s not merely real in concept, but has also been told most realistically, so much so that you can’t help but draw parallels with your life or with someone you know. But what really makes Wake Up Sid most believable is Ranbir Kapoor, who’s mastered the craft at such a young age.
Verdict? Wake Up Sid mirrors those ears with flourish. This one’s a simple story that strikes a chord instantly. Strongly recommended!
Wake Up Sid tells the story of Siddharth aka Sid (Ranbir Kapoor), a lazy, unmotivated slacker from Mumbai whose life undergoes a series of changes after taking his final year college exams. Sid’s world is breezy, carefree and without any true responsibilities.
Sid thrives around his two best friends, Rishi (Namit Das) and Laxmi (Shikha Talsania), very rarely communicates with his mother Sarita (Supriya Pathak) and takes his father Ram Mehra (Anupam Kher) and all his hard-earned wealth for granted. Despite all these traits, Sid is an honest boy; sweet, funny and above all, a good friend.
Aisha Bannerjee (Konkona Sen Sharma), an aspiring writer from Kolkata, learns this soon enough when her path crosses with Sid’s on her first day in Mumbai. Ambitious, well-read and driven, Aisha has come to Mumbai to realize her dreams as a writer. Despite their contrasting personalities, Sid becomes Aisha’s first friend in the city.
As Aisha sets up her life in Mumbai, with the help of Sid and his gang, Sid allows for time to fly by over long drives, parties that stretch well into dawn, and endless hours doing absolutely nothing. But a series of circumstances and events compel him to take stock of his life and take a hard look at himself.
Let’s not compare Wake Up Sid with anything you’ve watched before. Not Dil Chahta Hai. Not Lakshya either. Debutante director Ayan Mukerji narrates a story that you can relate to instantly and treats it with utmost care. A few moments linger in your memory and evoke bitter-sweet memories.
The first hour, right till the intermission, sweeps you off your feet. You get drawn into Sid’s world instantaneously; you react to everything he does. But the post-interval portions slackens, courtesy the writing. The Rahul Khanna track, for instance, looks half-baked. Also, the story stagnates after a point and hence, the pacing gets very slow. It’s only towards the finale that things perk up. Ideally, the film could’ve done with some trimming in this hour.
Ayan Mukerji packs in a solid punch in most parts of the film. The emotional moments especially gets you all moist-eyed. The humour too is well integrated in the sequences. Even the confrontation between the father and son is superb. Prior to that Konkona’s birthday sequence is amongst the finest sequences of the film. Music (Shankar-Ehsaan-Loy) is melodious. Anil Mehta’s cinematography is top notch. Niranjan Iyengar’s dialogues are just right.
There’s no denying that Ranbir Kapoor is a supremely talented actor, but in WWake Up Sid, he proves that he’s amongst the best in the business today. No one could’ve portrayed Sid as effectively as Ranbir has enacted, that’s for sure. This is an award-worthy performance.
Konkona is natural to the core and the best part is, she’s so effortless. Here’s another winning performance from this incredible performer. Anupam Kher is wonderful. Ditto for Supriya Pathak. Both shine in their respective parts. Namit Das and Shikha Talsania are perfect. Rahul Khanna doesn’t get any scope.
On the whole, Wake Up Sid is a well-made film that should strike a chord with the youth mainly. A metro-centric film, the film should attract its target audience and should also prove to be the first choice of the elite/urban audience this Friday. Its distributors (UTV) have very rightly released the film at plexes of metros and mini-metros [instead of flooding the market with physical and digital prints], which in turn should only make this small film talked-about in days to come. Thumbs Up!